[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″]<\/p>\n
<\/span>\u00a02004 – 20??<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_blurb title=”About” image=”http:\/\/certo.inoe.ro\/test\/wp-content\/uploads\/2021\/06\/prj_nat_hypogeum.jpg” _builder_version=”4.9.7″]<\/p>\n Partnership:<\/u><\/span><\/p>\n History:<\/u><\/span><\/p>\n 25th of February 1988 \u2013 date of discovery, within the area of antique necropolis of Tomis. It is dated \u2013 most probably \u2013 between the Roman period and Roman \u2013 Byzantine one (IVth century AD)<\/span><\/p>\n Objectives<\/u><\/span><\/p>\n The technique of execution of the wall paintings<\/span><\/p>\n The conservation state<\/span><\/p>\n <\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.9.7″ width=”100%”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_gallery gallery_ids=”1890,1896,1898,1899,1889,1892,1893,1891″ posts_number=”10″ show_title_and_caption=”off” show_pagination=”off” _builder_version=”4.9.7″ _module_preset=”default” width=”100%” max_width=”100%” module_alignment=”center” max_height=”1000px” custom_margin=”0px||||false|false”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Painted funeral chambers from Constan\u021ba (Roman Archaeological Objective) 4-190\/ 04.11.2004 \u00a02004 – 20??Partnership: INOE \u2013 Coordinator Museum of History and Archaeology of Constanta Art History Institute “G. Oprescu” – Romanian Academy GRAFIX SRL History: 25th of February 1988 \u2013 date of discovery, within the area of antique necropolis of Tomis. It is dated \u2013 most […]<\/p>\n","protected":false},"author":1,"featured_media":1886,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false},"project_category":[10],"project_tag":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/project\/1885"}],"collection":[{"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/comments?post=1885"}],"version-history":[{"count":5,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/project\/1885\/revisions"}],"predecessor-version":[{"id":1906,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/project\/1885\/revisions\/1906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/media\/1886"}],"wp:attachment":[{"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/media?parent=1885"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/project_category?post=1885"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/certo.inoe.ro\/test\/wp-json\/wp\/v2\/project_tag?post=1885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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general aspect of the surface is porous and highly irregular.
used colors: mineral blue pigment, red pigment, ochre-red, ochre-yellow, white colour from the line, black colour \u2013 coal, green colour, green ground.<\/li>\n<\/ul>\n\n
degradation of the wall \u2013 detachments, friability of the support \u2013 layer, deep \u2013 set and shallow gaps, efflorescences, powdery paint layer, clay sediments.<\/li>\n<\/ul>\n